If The Last Great, the debut album from MaLLy, was meant to be a chest-thumping, boastful, and triumphant effort that finally broke MaLLy to the masses, The Colors of Black is the direct result of what would have been the end result if The Last Great never came into existence. Throughout the duration of The Colors of Black, MaLLy uses it as a vehicle to present the pressures of race, acceptance, and the politics, or lack thereof, in current day Hip-Hop and himself. It allows MaLLy to utilize his sharp wordplay to paint vivid depictions of what would’ve came to be of Malik Watkins, or what already is. Last Word’s production provides MaLLy with a dark, ominous, and bleak sound to take MaLLy’s dark imagery and expansive wordplay to new heights, like graffiti on pissed-stained walls of abandoned complexes that once housed hopes, dreams, and aspirations of the past.
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